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10.15.2024 BLACK NIGHT, SHAKY STARS, A TINY MOON [INTERLUDE]


Sometimes nightly a flash of the old self emerges in crisp LCD. Other times the visions are much blurrier.  When the lights shut off as the rivers run dry, I press on the incandescent lamp, invigorate the candles and incense, and place my pen into the paper.

I remember contradictions, embrace them: 
  • A cloudless forest.
  • Gods in antennae like a splinter through the thumb of the mountain echoing the radio playing 90.1 FM W Radio Ecuador (the same station I listen to now in the quiet) presenting a talk show lamenting discontent with the very blackouts I write this amidst.
  • He picks at a wound that’s festering with the knife I bought to cut through thick vegetation. Can human flesh be cultivated?
  • Jipijapa, the Manabitan island translocated to downtown Quito.
  • We mould those closest to us in our likeness, whether we intend to or not. Our existence is a docile one.
  • The Oropendula bird, Montezuma interred.
  • My body is a collection of disparate components.
  • Bike lanes superimposed through metro centers, drawn only by lines of orange cones.
  • My practice has always been a practice of opposition.
  • Frogs sing more when it rains.
  • A one night folly, always seeking pacification.
  • Visibility from one side - ink bleeding through paper.
  • Devotional labor.
  • Abya Yala, the old continent, printed into the spine of the book about indigenous communities written by an academic outside said indigenous community. 
  • Antiquity today.
  • Pondering the difference between having and owning.
  • Running in the darkness for the fear of what’s behind when the generator sputters, laughing all the way.